Davide Van De Sfroos - Best Of 1999-2011 (2011) \/\/FREE\\\\
Davide Van De Sfroos - Best Of 1999-2011 (2011): A Guide to the Unique and Original Style of the Italian Folk Rock Artist
Davide Van De Sfroos is a singer-songwriter who has been making music since the late 1990s. His music is influenced by the culture and history of his native region, Lombardy, and especially by the dialect and traditions of Lake Como. His songs are full of humor, irony, poetry, and social commentary, and often feature elements of Celtic, blues, rock, and electronic music. In 2011, he released a compilation album titled Best Of 1999-2011, which collects 30 of his most popular and representative songs from his first six studio albums. In this article, we will take a closer look at this album and explore why it is a guide to the unique and original style of the Italian folk rock artist.
Davide Van De Sfroos - Best Of 1999-2011 (2011)
What are the Songs on Davide Van De Sfroos - Best Of 1999-2011 (2011)?
The songs on Davide Van De Sfroos - Best Of 1999-2011 (2011) are divided into two CDs, each containing 15 tracks. The first CD covers the songs from his first three albums: E Semm Partii (1999), Akuaduulza (2001), and Pica! (2004). The second CD covers the songs from his next three albums: Breva e Tivan (2006), Yanez (2009), and Synfuniia (2010). The album also includes two bonus tracks: Foglie (Leaves) and Lettera da Marte (Letter from Mars), which were previously unreleased. Here is the full tracklist of the album:
CD 1CD 2
Cau Boi (Cowboy)Akuaduulza (Waterfall)
Pulènta e Galèna Frègia (Polenta and Frozen Chicken)Il Libro del Mago (The Book of the Wizard)
Il Duello (The Duel)Nona Lucia (Grandma Lucia)
La BÃ lada del Genesio (The Ballad of Genesio)Il Minatore di Frontale (The Miner of Frontale)
La Balera (The Dance Hall)La Ballata del Cimino (The Ballad of Cimino)
Ninna Nanna del Contrabbandiere (Live) (Lullaby of the Smuggler)Il Costruttore di Motoscafi (The Builder of Motorboats)
Il Figlio di Guglielmo Tell (The Son of William Tell)New Orleans
Sugamara40 Pass (40 Steps)
Grand HotelYanez
E Semm PartiiLa Machina del Ziu Toni (Uncle Toni's Machine)
VentanasIl Camionista Ghost Rider (The Ghost Rider Truck Driver)
El Mustru (The Monster)El Carnevaal de Schignan (The Carnival of Schignan)
San Macaco & San NissoenLa Figlia del Tenente (The Lieutenant's Daughter)
L'Omm de la Tempesta (The Man of the Storm)Dove non Basta il Mare (Where the Sea is not Enough)
Foglie (Bonus Track) (Leaves)Lettera da Marte (Bonus Track) (Letter from Mars)
What are the Themes and Styles of Davide Van De Sfroos - Best Of 1999-2011 (2011)?
The songs on Davide Van De Sfroos - Best Of 1999-2011
CD 1CD 2
Cau Boi (Cowboy)Akuaduulza (Waterfall)
Pulènta e Galèna Frègia (Polenta and Frozen Chicken)Il Libro del Mago (The Book of the Wizard)
Il Duello (The Duel)Nona Lucia (Grandma Lucia)
La BÃ lada del Genesio (The Ballad of Genesio)Il Minatore di Frontale (The Miner of Frontale)
La Balera (The Dance Hall)La Ballata del Cimino (The Ballad of Cimino)
Ninna Nanna del Contrabbandiere (Live) (Lullaby of the Smuggler)Il Costruttore di Motoscafi (The Builder of Motorboats)
Il Figlio di Guglielmo Tell (The Son of William Tell)New Orleans
Sugamara40 Pass (40 Steps)
Grand HotelYanez
E Semm PartiiLa Machina del Ziu Toni (Uncle Toni's Machine)
VentanasIl Camionista Ghost Rider (The Ghost Rider Truck Driver)
El Mustru (The Monster)El Carnevaal de Schignan (The Carnival of Schignan)
San Macaco & San NissoenLa Figlia del Tenente (The Lieutenant's Daughter)
L'Omm de la Tempesta (The Man of the Storm)Dove non Basta il Mare (Where the Sea is not Enough)
Foglie (Bonus Track) (Leaves)Lettera da Marte (Bonus Track) (Letter from Mars)
What are the Themes and Styles of Davide Van De Sfroos - Best Of 1999-2011 (2011)?
The songs on Davide Van De Sfroos - Best Of 1999-2011
(2011) reflect the themes and styles that characterize Davide Van De Sfroos's music. Some of the main themes are:
The culture and history of Lombardy, especially of Lake Como and its surroundings. Davide Van De Sfroos sings about the people, places, events, legends, and traditions that shape his identity and worldview. For example, in Cau Boi, he tells the story of a cowboy who lives in a village near the lake; in La BÃ lada del Genesio, he narrates the life and death of a famous bandit who fought against the Austrians; in El Carnevaal de Schignan, he describes the colorful and peculiar carnival that takes place in a small town every year.
The social and political issues that affect Italy and the world. Davide Van De Sfroos does not shy away from expressing his opinions and criticisms on topics such as corruption, immigration, war, poverty, environment, and religion. For example, in Il
The culture and history of Lombardy, especially of Lake Como and its surroundings. Davide Van De Sfroos sings about the people, places, events, legends, and traditions that shape his identity and worldview. For example, in Cau Boi, he tells the story of a cowboy who lives in a village near the lake; in La BÃ lada del Genesio, he narrates the life and death of a famous bandit who fought against the Austrians; in El Carnevaal de Schignan, he describes the colorful and peculiar carnival that takes place in a small town every year.
The social and political issues that affect Italy and the world. Davide Van De Sfroos does not shy away from expressing his opinions and criticisms on topics such as corruption, immigration, war, poverty, environment, and religion. For example, in Il Figlio di Guglielmo Tell, he mocks the Swiss neutrality and praises the Italian resistance; in Il Libro del Mago, he denounces the exploitation of Africa by multinational corporations; in Il Camionista Ghost Rider, he criticizes the American intervention in Iraq; in Dove non Basta il Mare, he laments the tragedy of migrants who drown in the Mediterranean Sea.
The personal and emotional aspects of life. Davide Van De Sfroos also explores the feelings and experiences that make us human, such as love, friendship, family, nostalgia, joy, sadness, hope, and fear. For example, in Pulènta e Galèna Frègia, he sings about a poor couple who share a simple meal; in Nona Lucia, he pays tribute to his grandmother who taught him how to play guitar; in Yanez, he celebrates his son's birth; in La Figlia del Tenente, he expresses his sorrow for a young girl who lost her father in war; in Lettera da Marte, he imagines a message from an astronaut who misses his home planet.
The styles of Davide Van De Sfroos - Best Of 1999-2011 (2011) are diverse and eclectic, as Davide Van De Sfroos combines different genres and influences to create his own musical identity. Some of the main styles are:
Folk rock: This is the core style of Davide Van De Sfroos's music, as he uses acoustic instruments such as guitar, mandolin, violin, accordion, harmonica, and flute to create catchy melodies and rhythms. He also incorporates elements of Celtic music, such as bagpipes
Blues rock: This is another style that Davide Van De Sfroos often uses, as he employs electric guitars, bass, drums, and harmonica to create a blues rock sound that is influenced by the American blues legends. He also sings with a raspy and expressive voice that conveys his emotions and messages. For example, in Il Duello, he sings about a duel between two men over a woman; in New Orleans, he sings about the aftermath of Hurricane Katrina; in Il Camionista Ghost Rider, he sings about a truck driver who is haunted by his past.
Electronic music: This is a style that Davide Van De Sfroos experiments with, as he uses synthesizers, keyboards, drum machines, and samplers to create an electronic sound that is influenced by the modern and futuristic trends. He also uses effects and distortions to modify his voice and instruments. For example, in Sugamara, he sings about a futuristic city where everything is controlled by machines; in 40 Pass, he sings about a man who travels through time and space; in Lettera da Marte, he sings about an astronaut who sends a letter from Mars.
Blues rock: This is another style that Davide Van De Sfroos often uses, as he employs electric guitars, bass, drums, and harmonica to create a blues rock sound that is influenced by the American blues legends. He also sings with a raspy and expressive voice that conveys his emotions and messages. For example, in Il Duello, he sings about a duel between two men over a woman; in New Orleans, he sings about the aftermath of Hurricane Katrina; in Il Camionista Ghost Rider, he sings about a truck driver who is haunted by his past.
Electronic music: This is a style that Davide Van De Sfroos experiments with, as he uses synthesizers, keyboards, drum machines, and samplers to create an electronic sound that is influenced by the modern and futuristic trends. He also uses effects and distortions to modify his voice and instruments. For example, in Sugamara, he sings about a futuristic city where everything is controlled by machines; in 40 Pass, he sings about a man who travels through time and space; in Lettera da Marte, he sings about an astronaut who sends a letter from Mars.
The songs on Davide Van De Sfroos - Best Of 1999-2011 (2011) also showcase the linguistic and poetic skills of Davide Van De Sfroos, who writes most of his lyrics in Lombard dialect, especially in the variant spoken around Lake Como. He also uses Italian, English, Spanish, and other languages to enrich his vocabulary and expressions. He plays with words, rhymes, metaphors, and references to create witty and meaningful lyrics that often have multiple layers of interpretation. He also recites some of his songs as poems or stories, using his voice as an instrument to convey different tones and emotions.
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